19 COVID Theses (VAN)

19 COVID Theses (VAN)

By Jeffrey Arlo Brown, Timmy Fisher and Hartmut Welscher

Not long after the last global pandemic, in which some 50 million people died from Spanish flu, a social change began to take place in living rooms across the world. With the dawn of radio, and later television, the parlor gatherings and upright pianos that had once been the focus of evening entertainment were gradually phased out. A century later, with a new pandemic sweeping the globe, classical music has never felt more under threat …

Read the article on VAN

Don't knock the Proms: events such as this keep alive the idea that music is for all (Gramophone)

Don't knock the Proms: events such as this keep alive the idea that music is for all (Gramophone)

Last week I was lucky enough to meet Errollyn Wallen, the Belize-born composer whose BBC Proms commission, This Frame is Part of the Painting, will be premiered next month at the Royal Albert Hall. We chatted about her career and the influence of artists like Howard Hodgkin on her work, before moving on to a more general discussion on the state of classical music today…

Banksy’s stunt wasn’t even original – and why we should support ads on Sydney Opera House

Banksy’s stunt wasn’t even original – and why we should support ads on Sydney Opera House

Read it on the The Spectator website here

Photo credit: Christian Mehlführer

Participation Starts with Inspiration: heritage protection must not trump disabled access

Participation Starts with Inspiration: heritage protection must not trump disabled access

Many of the UK’s churches and performance venues are poorly equipped for the disabled, often because heritage law prohibits alteration. This goes against principles of inclusion within Christianity and music-making