The ‘narrative concerto’ has its roots in the early 19th century. Think Harold in Italy, Hector Berlioz’s ‘symphony with viola obbligato’, or Carl Maria von Weber’s Konzertstück for piano and orchestra, both of which cast the soloist as protagonist in a musical drama. In Follow Me, Ondřej Adámek takes this idea and adds a macabre twist …
Eric Whitacre: Eternity in an Hour – programme note (BBC Proms)
Artist, mystic and political radical William Blake is today considered one of the major cultural figures of the Romantic Age. And, although he was virtually unknown as a poet during his lifetime, Auguries of Innocence has become one of his best-loved works. Rich with symbolist imagery and social criticism, the poem meditates on the interconnectedness of all living things, the inherent goodness in nature and the fragility of human innocence …
Wynton Marsalis: Trumpet Concerto – programme note and profile (LSO)
Donghoon Shin: Nachtergebung – programme note and profile (LSO)
Abel Selaocoe: Four Spirits – Programme note and profile (LSO)
Fazil Say: Violin Concerto – Programme Note and Profile (LSO)
Betsy Jolas: Ces belles années... – programme note and profile (LSO)
Magnus Lindberg: Piano Concerto No. 3 – programme note (LSO)
Concertos often owe their origins to the inspiration of a great performer. Wolfgang Amadeus Mozart was so impressed with the pioneering clarinettist Anton Stadler that he wrote a concerto – along with several other works – especially for him. A close friendship with Mstislav Rostropovich spurred both of Dmitri Shostakovich’s Cello Concertos …











