I can’t claim to have much prior experience of Mark Bowden – save for a few whispers amongst the au courant of my university’s music department, and a vague sense of some well received discs which, as is so often the case, I never got round to listening to. But as the final movement of his Sapiens sputtered into nothingness, leaving an enraptured audience grappling with the speculative message of Yuval Noah Harari’s second book Homo Deus: A Brief History of Tomorrow, I felt both foolish to have overlooked Bowden’s music, and deeply fortunate to be present for the world première of this, his latest work.

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